digital marketing apprenticeship grand visual

our team

Lisa

How long have you been with GV for and what’s your role?
I have been at GV for just over 4 years and I am the Head of Marketing.

What’s your favourite GV campaign?
My favourite GV campaign would probably be the Angels campaign which is a really old one – but was the first campaign that made me aware of who Grand Visual was.

If you weren’t in Marketing, would you rather be in Tech or Finance?
FINANCE!

Would you rather control Space or Time?
Mmmmm… time!

Would you rather hear the good news or the bad news first?
The bad news.

 

our team

Ben P.

How long have you been with GV for and what’s your role?
I’ve been at GV for 2 and a half years and my current role is Client Services Director.

What’s your favourite GV campaign?
My favourite GV campaign is our recent campaign for SONY for Spider-Verse. It’s an awesome campaign that basically gave people the opportunity to enter into The Spider-Verse.

If you weren’t in Client Services, would you rather be in Creative or Production?
Definitely Creative.

Would you rather control Space or Time?
Time.

Would you rather be able to breathe underwater or fly through the air?
Definitely fly.

On 28th February, the creative talents behind the UK’s greatest outdoor ads of the past two years gathered at the Institute of Contemporary Arts to find out which campaigns had earned a place in the Campaign and Outdoor Media Centre’s prestigious Outdoor Hall of Fame.

Fourteen pieces of work were inducted into the Hall of Fame including ‘Angel Ambush’ our augmented reality campaign with Mindshare Invention for Unilever’s Lynx in 2011 – and the first digital ad to make it into the gallery.

The latest work to be selected as standard-bearers for outdoor creativity, were chosen by a public vote followed by consideration from a creative panel. The judging panel included: John Treacy, the executive creative director at Elvis; Peter Souter, the chairman and chief creative officer at TBWA\London; James Hilton, the co-founder and chief creative officer at AKQA; Mick Mahoney, the executive creative director at Havas Worldwide London; and Owen Lee, the executive creative director at Inferno.